| Outcome | Probability | Yes Bid | Yes Ask | 24h Change | Volume | |
|---|---|---|---|---|---|---|
| War Machine | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Nuremberg | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Nobody 2 | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Jurassic World Rebirth | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Trap House | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| KPop Demon Hunters | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Trolls | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Jurassic World: Dominion | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| The Captive | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Gaslit By My Husband: The Morgan Metzer Story | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Peaky Blinders: The Immortal Man | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Louis Theroux: Inside the Manosphere | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| 27 Dresses | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Double Jeopardy | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Shark Tale | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| The Bad Guardian | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| BTS: THE RETURN | 0% | 0¢ | 0¢ | — | $0 | Trade → |
| Anaconda | 0% | 0¢ | 0¢ | — | $0 | Trade → |
This market asks which single Netflix movie will be the Top Global Netflix Movie for the relevant streaming week. It matters because weekly global rankings capture which releases and catalog titles generate the most worldwide viewing attention, affecting studios, creators, and marketing decisions.
Netflix and other streamers publish weekly viewing tallies or Top 10 lists that aggregate hours viewed across territories; those weekly charts are closely watched by industry analysts and trade press as indicators of audience demand. Historically, a mix of new releases, franchise entries, star-driven films, and surprise sleeper hits have reached the top spot; timing, territorial availability, and sustained word-of-mouth all shape outcomes.
Market odds reflect the trading community’s aggregated expectation about which title will finish first for the specified week and will move as new information arrives (release timings, updates to viewing tallies, marketing pushes). Use the odds as a dynamic signal of consensus rather than a fixed forecast.
The event will be resolved using the official weekly global ranking or viewing metric published by the listed source (Netflix or the exchange’s referenced feed) for the applicable streaming week; the market’s settlement rules on the event page explain how ties or ambiguous reporting are handled.
The relevant measurement window is the streaming week defined by the data source used for resolution; because the market close is TBD, check the event page and any posted rules or notices for the exact start and end times that will be applied.
They can, but late-week premieres usually have fewer hours to accumulate during that week than films available the whole week; a very high initial viewing rate can overcome this, but timing is a material factor to consider.
Global rankings aggregate viewing across all reported territories, so films restricted to a subset of countries or delayed rollouts are at a comparative disadvantage versus titles released broadly and simultaneously.
Key signals include official viewership updates or chart placements, major marketing events (trailers, press junkets), early social-media traction, trade reporting on hours viewed, and unexpected news (e.g., platform algorithm features or content removals) that affect visibility.